| Last update: Sept. 17,2019 DDCMC’19 Programme [PDF] DDCMC’19 Book of Abstracts [PDF] |
Venue: FCSH-Universidade Nova de Lisboa;
Torre B, Auditorium 1 (1st floor)
DAY 1: Thursday, September 19, 2019
8:00-9:00 Registration
9:00-9:30 Opening welcome: Professor Francisco Caramelo, Dean of FCSH,
Professor Rui Cádima, Coordinator of ICNOVA,
Prof. Carla Fernandes, BlackBox – Arts and Cognition
9:30-10:30 Plenary 1: Emily Cross, University of Glasgow (Chair: Carla Fernandes)
The embodied neuroaesthetics of dance
10:30-11:00 Coffee break
11:00-13:00 Session 1: Creative and cognitive processes in Dance (Chair: Vicky Fisher)
13:00-14:30 Lunch
14:30-16:30 Session 2: Language and Cognition in Dance (Chair: Christian Büning)
| Lacey Okonski University of California, Santa Cruz; Universidade Federal de Minas Gerais |
Understanding Non-Verbal Metaphor: A Cognitive Approach to Metaphor in Dance | |
| Vicky Fisher Max Planck Institute for Psycholinguistics, Radboud University |
Unpeeling meaning: Analogy and metaphor analysis methodologies for Modern and Post-Modern dance |
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| Mike O’Connor1, Alan Cienki2 1Amsterdam University of the Arts; 2Vrije Universiteit Amsterdam |
Lines of Experience: Imagined, Bodily, Perceived. | |
| Olga Blanco-Carrión Universidad de Córdoba |
Schema, frame, metonymy and metaphor in ballet performances |
16:30-17:00 Refreshment break
17:00-18:00 Opening round table discussion: Bettina Bläsing, Emily Cross, Ana Rita Fonseca, Sylvia Rijmer
(Moderator: Carla Fernandes)
18:00-18:30 Port of Honour
DAY 2: Friday, September 20, 2019
9:00-10:00 Plenary 2: Bettina Bläsing, Technical University Dortmund (Chair: Ana Rita Fonseca)
Dance Expertise, Memory and the Body in the Brain
10:00-11:00 Session 3: BlackBox – Arts and Cognition (part 1) (Chair: Sarah Whatley)
| Carla Fernandes BlackBox, FCSH- Universidade Nova de Lisboa |
Situating BlackBox in the Dance Data Constellation | |
| Stephan Jürgens BlackBox, FCSH- Universidade Nova de Lisboa; Madeira Interactive Technologies Institute (M-ITI) |
Dance | Data | Storytelling |
11:00-11:30 Coffee Break
11:30-13:00 Session 4: BlackBox – Arts and Cognition (part 2) (Chair: Scott Delahunta)
| Ana Rita Fonseca, Rodrigo Abril de Abreu, Carla Fernandes BlackBox, FCSH- Universidade Nova de Lisboa |
“I see something, and I like it”: unveiling a choreographer’s decision-making process using quantitative and qualitative methods | |
| Claudia Ribeiro, Rafael Kuffner BlackBox, FCSH- Universidade Nova de Lisboa |
Challenge of capturing and visualizing 3D dance data | |
| Carla Fernandes, Vito Evola, Joanna Skubisza BlackBox, FCSH- Universidade Nova de Lisboa |
What makes dancers extraordinary? Insights from a cognitive science perspective |
13:00-14:30 Lunch
14:30-15:30 Session 5: Body kinematics in theater, dance and sports (Chair: Rosa Cisneros)
| Giorgina Cantalini1 Massimo Moneglia2 1Civica Scuola di Teatro Paolo Grassi; 2Università di Firenze |
Reduction of gesticulation and information patterning strategies in acted speech | |
| Christian Büning German Sport University |
How cultural influences predict the movement repertoire and movement improvisation – A qualitative movement analysis of German and Japanese student-athletes |
15:30-17:00 Poster/Demo session (with coffee and refreshments) – Posters/VR: Torre B, 2nd floor (Room T1);
Demos: Torre B, 5th floor (Dept. Communications, MediaLab)
20:30 Conference Dinner: Darwin’s Café
DAY 3: Saturday, September 21, 2019
10:30-11:30 Plenary 3: Angus Forbes, University of California, Santa Cruz (Chair: Stephan Jürgens)
Augmented Seeing and Sensing
11:30-13:00 Session 6: Dance documentation and archives (Chair: Bertha Bermudez)
| Paula Varanda Middlesex University; Instituto de História da Arte |
Digital-born artworks and interactive experience: documentation and archiving | |
| Catarina Canelas, Ana Luísa Valdeira, Daniel Tércio INET-md, Faculdade de Motricidade Humana, Universidade de Lisboa |
Terpsicore – dance and performing arts database | |
| Elizabeth Waterhouse1, Florian Jenett2, Bettina Bläsing3, Monika Hagar4 1University of Bern/HKB; 2Motion Bank; 3Technical University Dortmund; 4University of Bern |
A Longitudinal Study of William Forsythe’s Choreography “Duo” (1996-2016) |
13:00-14:30 Lunch
14:30-16:00 Session 7: Computer Science & Dance Data (Chair: Anton Koch)
| David Rittershaus1, Anton Koch1, Florian Jenett1, Scott Delahunta2 1Motion Bank, Mainz University of Applied Sciences; 2Motion Bank, Centre for Dance Research, Coventry University |
Recording ‘Effect’: A case study in technical, practical and critical perspectives on dance data creation | |
| Daniel Strutt, Mavin Khoo, Neal Coghlan Goldsmiths, University of London |
R&D into the Use of Motion Capture Suit Technologies in Devising and Producing Contemporary Dance Performance. | |
| Rosa Cisneros, Karen Wood, Sarah Whatley Centre for Dance Research, Coventry University |
WhoLoDance: Whole Body Interaction Learning for Dance Education: Blending Engine and Annotation Tool |
16:00-17:00 Final round table discussion: João Fiadeiro (choreographer), Angus Forbes, Rui Lopes Graça (choreographer),
Stephan Jürgens (Moderator: Carla Fernandes)
17:00-17:30 Closing remarks (with coffee)
Poster/Demo session
Posters/VR: Torre B, 2nd floor (Room T1); Demos: Torre B, 5th floor (Dept. Communications, MediaLab)
| Maria Clotilde ALMEIDA, Rui Geirinhas Faculdade de Letras, Universidade de Lisboa |
Imagined worldview’s in John Lennon’s “Imagine”: a multimodal re-performance |
| Christian BÜNING1, Mike Baumgart2 1German Sport University 2Germany AILabs |
Pythagoras 360° Movement Analysis |
| João CARRILHO1, Daniel Tércio2, Bruno Pedro2, Cecília Lima Carrilho2 1Universidade Lusófona de Humanidades e Tecnologias; 2Faculdade de Motricidade Humana, Universidade de Lisboa |
TEPe – Technologically Expanded Performance |
| Elaine CHEN University of California, Santa Cruz |
Intersubjectivity of sensorimotor metaphors: A ballet lesson |
| Vicky FISHER Max Planck Institute for Psycholinguistics, Radboud University |
Dance as embodied analogy research project: Watching Dance, a forced choice experiment |
| Ana Rita FONSECA, Rodrigo Abril Abreu, Carla Fernandes BlackBox, FCSH-Universidade Nova de Lisboa |
Foraging for movement patterns: a case-study in dance creation |
| Isabel GALHANO-RODRIGUES Faculdade de Letras, Universidade do Porto |
Foot Gestures in the Expression of Uncertainty |
| Sylvia JAIMES Universidade de Lisboa |
A Manual to inadequate behaviors on gyms and health centers: Tele-training for average humans. |
| Gaurav KUMAR1, Bettina Bläsing2, Stephan Ernst1, Elizabeth Waterhouse3 1University Bielefeld 2Technical University Dortmund 3University of Bern |
An interactive software tool for analyzing multimodal data over dance video |
| William PRIMETT FCT – Universidade Nova de Lisboa |
Generative Bodily Animations from a Collection of Human Drawings and Physiological Data Interaction |
| Paulo QUADROS Institute of Mathematics, Art and Technology of São Paulo |
Video clip as dance art and performance in digital cultural heritage |
| David SANTOS Universidade de Lisboa |
Suspension of the Self and Embodied Creativity – How the use of Metaphor enables a more embodied creative process |
| Hélène SERRÉ1, Heather Weston2, Amélie Rochet-Capellan1, Marion Dohen1, Susanne Fuchs2 1Univ. Grenoble Alpes, CNRS, Grenoble INP, GIPSA-lab 2Leibniz-Zentrum Allgemeine Sprachwissenschaft Berlin |
Speaking during rhythmic motions of the feet vs. the hands: how do speech and limb movement affect each other? |
| Priscilla SILVA Universidade Federal de Itajubá |
The imagery-cognitive discursive argumentation of aspects of environmental sustainability in cartoons: critical humor strategies through conceptual metaphors |
| Rita VILHENA INET-md, Faculdade de Motricidade Humana, Universidade de Lisboa |
CORPO SANTO – a ritual on stage |